Tag Archive

La Memoria Cantata: A Survivor from Warsaw di Arnold Schönberg nell’Europa del dopoguerra. Joy H. Calico. Edizione italiana a cura di Paolo Dal Molin, traduzione di Silvia Albesano. Milan: Il Saggiatore. 2023. 

Reviewed by Jesse Rosenberg

On the list of musical works inspired by the Shoah, Arnold Schoenberg’s A Survivor from Warsaw has long held a special status. The realistic description of a roundup of Jews in the Warsaw ghetto, the concluding choral Shema that constitutes one of the strongest testimonies of Schoenberg’s re-commitment to Judaism in the last two decades of his life, and the combination of advanced twelve-tone technique with Sprechstimme, one of the composer’s earliest innovations, unite to make a powerful impression on listeners to this day. In her 2014 monograph Arnold Schoenberg’s “A Survivor from Warsaw” in Postwar Europe, dedicated to the reception of this work, Joy H. Calico documents in detail the effect of this work on European critics and audiences, and subjects it to a thorough analysis.