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Anthology of Jewish Art Songs Volume IV, The Lazar Weiner Collection, Book 1: Yiddish Art Songs, 1918-1970. Yehudi Wyner, ed. Philadelphia: Transcontinental Music Publications. 2011.

Reviewed by Judith Tischler

The Emergence of the Yiddish Art Song is a fairly recent phenomenon. The full flowering took place in the United States in the twentieth century although the seeds were generously planted in Europe toward the end of the nineteenth century. One of the most prolific composers of Yiddish Art Songs in the United States was Lazar Weiner (1897-1982). He wrote one hundred and fifteen Art Songs for voice with piano accompaniment or with instrumental accompaniment other than keyboard.

A study of his songs will reveal a tension between his need to experiment with twentieth century idioms and his wish to reflect the folk heritage of his own past. The results are a number of “folk-like” songs which, because of their simplicity and tunefulness, were sung in almost every Yiddish speaking household in the Eastern United States and later in Israel. There is a much larger number of songs that are through-composed and that use a variety of compositional devices that could be adapted to any language. There are some outstanding examples, however, where the past and present meet; where “traditional” melodic patterns, modal scales, and cantillation-like phrases combine with complex harmonic structure and advanced piano techniques.

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