You are currently browsing the monthly archive for December 2019.

Rumskinsky: Di Goldene Kale (critical edition). Michael Ochs, eds. Middleton, WI: A-R Editions, 2017.

Reviewed by Hankus Netsky

kale

I have to admit that the irony of being asked to write a review of Michael Ochs’s wonderful critical edition of Rumshinsky’s Di Goldene Kale for Musica Judaica was not lost on me.  As some of our readers might know, the very first editor of this journal and, in fact, the founder of The American Society for Jewish Music was none other than Jewish music scholar Albert Weisser.  Here’s a quote from one of his best-known books:

“The American Yiddish theatre, as it was known at the beginning of the twentieth century on through to the 30s, is today almost non-existent. Aside from Joseph Achron [1], it never had any contact with first-rate composers. Because it built on ‘debris’ rather than the pearls of the Jewish folk song and because it hardly ever outgrew its almost primitive technique, listening today to the body of music it has produced is an embarrassing and painful experience.” [2]

Read the rest of this entry »

Dislocated Memories: Jews, Music and Postwar German Culture. Tina Frühauf and Lily Hirsch, eds. Oxford, England: Oxford University Press, 2014. ISBN: 9780199367481.

Reviewed by Karen Uslin

dislocated

In 1945, upon seeing the ruins of his childhood home in Białystok, Polish Jewish author and artist Israel Beker held a piece of the family’s salt cellar in his hand and exclaimed: “If this salt cellar is in my hand, it proves that they existed once—because it seemed to me that they never existed—no father, no mother, no brothers or sisters—no home—no neighborhood—all disappeared—and if so—then possibly I don’t exist at all.” (p. 121) But Becker and his family did exist, and the Jewish cultural brokers and artists of Germany also continued to exist after World War II. In Dislocated Memories: Jews, Music, and Postwar German Culture (OUP 2014), editors Tina Frühauf and Lily E. Hirsch bring together a collection of essays that address music’s role in cultural, political, and social change in post-World War II Germany, while also considering the questions of what the terms “Jewish” and “German” entail in the contexts of both musical culture and transnationalism. The authors address the legacy of the Holocaust and anti-Semitism in the cultural arts of a people who have been displaced and must move forward after unspeakable trauma.

Read the rest of this entry »

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 78 other followers